Media Makes A Mark Logo
Media Makes A Mark Logo

Created at a time when my sight was set on becoming a journalist, I am now writing about my opinions on media communication, the social internet, art and technology and how those interact with each other. Video series in the works.

a screenshot of the bing chat bot interface and an artistically glitched bing logo. The text overlaid reads: In our endless need to communicate, we interpret every text as human.

When machines talk

Even though the development of “AI” chatbots, text-to-image generators, and similar “AI” tools feels extremely rapid and monumental at the moment, I would like to take a step back in this text and analyze why the development feels so significant, but also address what it (so far) is not.

A shot form prehistoric planet, where you see a predator dinosaur. One half depicts the youtube trailer version and one half the apple tv plus version. The text overlaid on the image reads, "How Apple purposefully sabotages itself."

Apple TV+ looks bad (in Browsers)

If you’re not satisfied with the quality of Apple’s streaming service, it likely has to do with your choice of playback device. When I tried to watch Prehistoric Planet on my Windows PC using the Firefox browser, I was baffled. Why did it look like a YouTube video from 2007? I was very confused and frustrated. Instead of spending the evening enjoying perhaps the best modern portrayal of dinosaurs, I had to wonder what was going wrong.

In the background, there's an image using the Spotify branding saying "2022 Wrapped is here." but the Wrapped is crossed out and a "Tracked" is pasted over it. In the foreground, a text is overlaid reading: An utterly absurd relationship between users and their data.

Spotify Tracked

The year is coming to an end, and in the media world, that doesn’t mean winter, Christmas, or New Year’s—it means yearly retrospectives, top lists, and previews. For several years now, there’s also been Spotify Wrapped, perhaps one of the best and, in terms of marketing, most effective end of year campaigns that takes up our feeds. It presents you with your own listening habits from the past year and encourages you to share them on social media.

A composite image featuring four podcast cover images, each with the "REGEN" logo prominently displayed. The game art shown features Dirt Rally, FIFA 21, Life is Strange, and Cities: Skylines. The text overlaid on the image reads, "Perspective is what makes discourse possible."

Why I made a podcast with my dad

I started a German-language video game podcast (at the beginning of 2022). In “ReGen,” my father and I talk about video games. So far, so ordinary. However, my father has no clue about games and serves as a guinea pig for me and our listeners. What hurdles do newcomers to this medium have to overcome? What is there to learn about digital skills in general? And how can someone be systematically introduced to this incredibly vast and diverse world of video games?

The screenshot depicts a quiet suburban street on a sunny day. A white mail truck is driving away from the camera. In the foreground are a few trees and a house. In the background are mountains and a lake. The text overlaid on the image reads, "Without the human element, we hardly recognize stories."

An interactive review about interactive stories

Out of the city and into the small town of Providence Oaks in the mid-1980s. “Lake” is a kind of charming small adventure, I really enjoy. The protagonist, Meredith Weiss, takes on a sort of “vacation job” in her hometown, temporarily filling in for her father as a postal carrier. The small, interactive story is more about the people in the town than the plot itself. So, for two weeks, you drive around the lake town, deliver mail, talk to the locals, and enjoy the digital tranquility.

A row of colorful magazines in a box on a table. The text overlaid on the image reads, "Why would I ever buy a magazine?"

A little love letter to the WASD (and videogames)

With its 18th issue, the WASD came to an end in the summer of 2021. It was a video game bookazine that was published semiannually, each time focusing on a specific theme. Featuring contributions from various authors in the German-speaking video game journalism scene, each issue presented a delightful collection of opinions and ideas. I will miss this project a lot.

Showing Donald Faison wearing headphones and sitting with his arms crossed in what appears to be a closet or wardrobe filled with clothes. The text overlaid on the image reads, "Thankfully, there's a podcast for every stupid thing."

Less professional is more professional

“Fake Doctors Real Friends” is a podcast hosted by the former actors of the comedy series Scrubs and, for me, it embodies the contrast between “old” and “new” media. But first, an explanation. The podcast, hosted by Zach Braff and Donald Faison, takes on the task of discussing the series chronologically (one episode at a time) and sharing background information, anecdotes, and anything else that comes to their minds about the production. In addition, they feature guests from the show’s cast, directors, writers, and answer listener questions at the end of each episode.